Haydn - Baryton Trio No.52 in D
Ludwig van Beethoven Für Elise
George Frederic Handel Julius Caesar, HWV 17: Piangero
John Adams Two Fanfares for Orchestra
Olivier Messiaen Un vitrail et des oiseaux
Musical Chairs 


Join us Fridays at 7pm for Musical Chairs, hosted by Michael Brooks. Each week Michael chats with a member of the Pacific Northwest classical music community and plays some of their favorite works, sharing stories and background. Fascinating people sharing great music--every Friday night.
 

May 1 - Stephen Stubbs


Stephen Stubbs, who won the GRAMMY Award as conductor for Best Opera Recording 2015, spent a 30-year career in Europe. He returned to his native Seattle in 2006 as one of the world’s most respected lutenists, conductors, and baroque opera specialists and in 2014 was awarded the Mayor’s Arts Award for ‘Raising the Bar’ in Seattle. In 2007 Stephen established his new production company, Pacific MusicWorks, based in Seattle, reflecting his lifelong interest in both early music and contemporary performance. Stephen is also the Boston Early Music Festival’s permanent artistic co-director along with his long time colleague Paul O’Dette. His extensive discography as conductor and solo lutenist include well over 100 CDs, which can be viewed at stephenstubbs.com, many of which have received international acclaim and awards. In 2013, Stephen was appointed Senior Artist in Residence at the University of Washington School of Music. His first major production there was Handel’s Semele in May 2014 followed by Mozart’s Magic Flute in 2015.


May 8 - Jim Brown


Jim Brown enjoys an eclectic career of singing, teaching, stage direction, conducting and composing. His work has been seen at Vashon Opera in Il Barbiere di Siviglia (stage director, conductor and arranger), Madama Butterfly (stage director), Carmen (arranger, stage and music director), and Eugene Onegin (conductor, arranger and musical director). Other recent productions as stage director include Handel’s Semele (PLU Opera), La Bohème (Bellevue Opera), Sweeney Todd (Lakewood Playhouse) and Francesca Caccini’s La liberazione di Ruggiero dall'isola d'Alcina (producer) for Cornish School of the Arts. Upcoming productions for James includeIl tabarro/Gianni Schicchi (arranger, stage and music director) with Vashon Opera and The Magic Flute (stage director) with PLU Opera. As a singer, Jim has distinguished himself on the opera and concert stage. The tenor has appeared with Seattle’s world-renowned community of early music specialists in concerts and operas at Seattle’s Town Hall, St. James Cathedral, Intiman Theatre and the Moore Theatre. At the Moore Theatre, Jim performed with Tony award winners Handspring Puppet Company under the direction of celebrated artist William Kentridge. Jim has appeared as concert soloist at the Aspen Music Festival, Ravinia Festival and Lincoln Center’s Alice Tully Hall. He recently sang the tenor solos in the 2011 Messiah with the Tacoma Symphony under the baton of Geoffrey Boers. Jim has sung with New Orleans Opera, New York City Opera, Opera Company of Philadelphia, Rogue Opera, Skylight Opera Theatre and Tulsa Opera. He is the Chair of Vocal Studies at Pacific Lutheran University where he directs the opera and oversees a large voice program. Jim holds degrees from Loyola University/New Orleans, The Juilliard School and the State University of New York at Stony Brook.


May 15 - Elisa Barston


Praised for her “glowing sound” and “technical aplomb” (The Strad), violinist Elisa Barston is currently the Principal Second Violinist of the Seattle Symphony Orchestra. She previously served as the Associate Concertmaster of the Saint Louis Symphony Orchestra, and was a first violin section member of the Cleveland Orchestra. Ms. Barston’s principal violin teachers include Almita and Roland Vamos, Robert Lipsett, and Josef Gingold. She graduated from the University of Southern California with a Bachelor of Music Cum Laude. At Indiana University, where she earned a Master of Music degree, Ms. Barston was awarded the prestigious Performer’s Certificate, the Jascha Heifetz Scholarship, and the Starling Foundation Grant. Among her awards, Ms. Barston has garnered top prizes at the Yehudi Menuhin International Competition, First Prize at the Julius Stulberg Auditions, Grand Prize at the International Kingsville Young Performers’ Competition, and First Prize in the Seventeen-General Motors National Music Competition.


May 22 - Adam Stern


Adam Stern has been leading the Seattle Philharmonic Orchestra since 2003. During his tenure he has brought numerous world, U.S.,  West Coast and Northwest premieres to the Puget Sound community. Stern’s unique programming combines beloved masterworks with must-hear rarities; his programs are not merely concerts, but true musical events. The Port Angeles Symphony, which played under Stern's music directorship from 2005 until 2014, also enjoyed years of tradition and innovation as well as a widely-acknowledged and -acclaimed rise in its musical standards.

 

Stern was born in Hollywood in 1955. He began his musical studies at age five as a piano student, and began flute lessons two years later. At 15, Stern was accepted at California Institute of the Arts, where he initially majored in flute performance, but changed his major to conducting in his second year at the urging of the late Gerhard Samuel, a noted conductor and educator. Stern was graduated in 1977 with an MFA in conducting at 21, the youngest Masters degree recipient in CalArts’ history.


MUSICAL CHAIRS ARCHIVE

Click here for an archive of past Musical Chairs episodes.

 


Musical Chairs host Michael Brooks came to Seattle from the East Coast more than 20 years ago. It didn't take long for Mike to become enthralled with the Northwest's nature and hospitality. He joined KING FM in the spring of 2007 and has enjoyed the return to his "radio roots." His first radio job was at a classical station in his hometown of Baltimore, Md.   




 
 
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