Arcangelo Corelli - Concerto Grosso in B-flat, Op.6/5
Jean Sibelius Scaramouche: Flute Solo
Gioacchino Rossini Cinderella (hosted by Sue Elliott: part 2)
Felix Mendelssohn String Symphony No.1 in C
Wolfgang Rihm Dyad

The Classical Notebook

Classical KING FM announcers and featured musicians share their thoughts on local concerts, seasonal music and evergreen classical favorites.
by Melinda Bargreen posted Mar 18 2015 5:16PM
Seattle is in the middle of a veritable Finn-fest this week and next. And for fans of Sibelius's music, it's a wonderful time to be in this city, where all seven of the Finnish master's symphonies are being performed through March 28 by the Seattle Symphony under the dynamic direction of Thomas Dausgaard.

Classical KING FM 98.1 listeners will get a huge Sibelius bonanza, too, on March 29 when all the composer's symphonies will stream in a 24-hour marathon on the Symphonic Channel. Don't forget to tune in!

But that's not all. In celebration of Sibelius' 150th birthday, three generations of the composer's family have been in Seattle for this festival of "Luminous Landscapes: The Sibelius Symphonies"-- including pianist Ruusamari Teppo (Sibelius' great-great-granddaughter), who has been performing in seven "Jewels of Sibelius" chamber programs in area schools.

In Benaroya Hall, Dausgaard – the Seattle Symphony's principal guest conductor – has been lighting a fire in the orchestra, whose players seem unusually inspired by his tremendous enthusiasm and his fresh interpretations of this repertoire. The opening concert, featuring Sibelius's first two symphonies and the majestic symphonic poem "Finlandia," was met with rapt attention, standing ovations, and loud cheering.

In an interview after the first of the Seattle Symphony concerts on March 12, Dausgaard discussed his long-term fascination with Sibelius ever since discovering the Finnish master's music as a teenager. So deep is his knowledge of the seven complicated symphonies that he will probably conduct all three concerts without a score. Dausgaard has made an extensive study of the folk and church music influences on Sibelius' compositional style. He has even seen the stove in which the composer, whose pen grew silent in last years, burned the manuscript of what would have been a final, eighth symphony.

The "Luminous Landscapes" programs are resonating in new ways with Seattle audiences. A March 13 repeat of the opening March 12 concert featured a stirring innovation: a performance of the "Finlandia" in which members of the Seattle Symphony Chorale were joined by an estimated 200 Nordic audience members – several of them in folk costume – to sing along the anthem whose melody is at the heart of this work. (The melody is one of Finland's most beloved national songs, and has been sung in several languages; in English, it is most commonly heard as the hymn "Be Still My Soul.")

Audience members were at first surprised and then thrilled by the "surround sound" of the hymn resonating through the audience. What a wonderfully innovative and inclusive development in a festival that is now Seattle's cultural "talk of the town"!
Filed Under :
Location : Seattle
by Jill Kimball posted Mar 10 2015 1:59PM

The Finnish composer Jean Sibelius has been everywhere this concert season, as December marks the 150th anniversary of his birth. Given the Seattle area's strong Nordic ties, there have been plenty of Sibelius tributes to choose from, including Philharmonia Northwest's season opener, the Lake Union Civic Orchestra's February concert, and the month-long extravaganza at the Seattle Symphony, happening now at Benaroya Hall. (If you're a world traveler, check out this comprehensive international list.)

But before you go see the SSO's tribute, titled Luminous Landscapes, you might want to brush up on your Finn facts. Below, we offer a few tidbits about the composer who's known for his groundbreaking symphonic writing.

1. He faced rejection. Mozart may have been labeled a prodigy well before most of us could even hold a pen, but not all famous composers had it so easy. It took Sibelius a while to discover his passion: in his first years at Imperial Alexander University, he studied law before he quit to take up violin studies. Even then, things didn't come easily to him: after an unsuccessful audition at the Vienna Philharmonic, Sibelius finally admitted to himself that he'd never achieve his dream of becoming a violin virtuoso. "It was a very painful awakening when I had to admit that I had begun my training for the exacting career of a virtuoso too late," he once wrote. Whoever said "what doesn't kill you makes you stronger" must have had Sibelius in mind.

The Finnish landscape.

2. He loved nature. The Finns experience such short winter days that they've learned how to take full advantage of their stunning surroundings in the few hours of daylight. Sibelius would spend hours scanning the skies for geese, looking out for spring blossoms, and reveling in the long summer days when they arrived. Given that Finland is home to the Northern Lights and stunning vistas year-round, it's hardly surprising to note that Sibelius found musical inspiration in his surroundings.

3. His music met mixed reception. Many English composers, including Arnold Bax and Ralph Vaughan Williams, venerated Sibelius' music and paid tribute to it in their own compositions. In his region, Sibelius was always popular, often lauded as a genius. Americans grew to like him, too, when Eugene Ormany and Leopold Stokowski began to program his music in their symphony halls. But a handful of influential critics believed him to be reactionary and unoriginal. Washington Post critic Tim Page once famously said, "There are two things to be said straightaway about Sibelius. First, he is terribly uneven...Second, at his very best, he is often weird." Sibelius paid no mind to these comments, positive or negative. He once said, "Pay no attention to what critics say. No statue has ever been put up to a critic."

Finnish currency pays tribute to Jean Sibelius.

4. In Finland, Sibelius can do no wrong. The Finnish are extraordinarily proud to call Sibelius their much so that his face has appeared on national currency and stamps, the national Flag Day is also known as the Day of Finnish Music and occurs each year on Sibelius's birthday, and...well, look at this list of concerts honoring his 150th anniversary. 

5. A health scare influenced his music. Sibelius had his fair share of cocktails and cigars, and as a result, he was diagnosed with throat cancer in 1907, at age 42. At the turn of the century, the mortality rate for those diagnosed with cancer was nearly 80 percent, but the Finnish composer beat the odds and survived a serious surgical operation. Sibelius claims the scare heavily influenced more than a few moments of musical brilliance, including his Fourth Symphony and the tone poem Luonnotar.

A Sibelius memorial in Helsinki.

To hear the extraordinary music of Sibelius this month, visit the Seattle Symphony's website for concert information, or check out a few of these tributes over the weekend:

Port Angeles Symphony: Symphony Concert No. 4: SIBELIUS’ VIOLIN CONCERTO
Hear the original, masterly, and exhilarating Violin Concerto of Sibelius, featuring violinist Monique Mead. The piece is performed alongside Haydn’s Symphony No. 102 and Elgar’s moving Enigma Variations. Everyone 16 and under is admitted free when accompanied by an adult.
Saturday, March 14 at 7:30pm, Port Angeles High School Auditorium
Vancouver Symphony: Tea & Trumpets: Sibelius at 150
Celebrate the 150th anniversary of the birth of great composer Jean Sibelius, with selections from many of his best-known works: Finlandia, Karelia Suite, The Swan of Tuonela, and the Violin Concerto. 
Thursday, March 12 at 2pm, Orpheum Theatre, Vancouver BC
From Finland with Love: Songs of My Great Grandfather
To celebrate the 150th anniversary of the birth of Finnish composer Jean Sibelius, two Finnish musicians, cellist Jussi Makkonen (YOO-see MAH-koh-nen) and pianist Ruusamari Teppo (ROO-sah-mah-ree TEH-poh), will perform an all-Sibelius concert. Teppo is a great-great-granddaughter of Sibelius.
Sunday, March 15 at 6pm, Brechemin Auditorium, UW campus, Seattle
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Location : Seattle
People : Jean Sibelius
by Melinda Bargreen posted Feb 27 2015 1:07PM
The Seattle Symphony presented Bach’s Orchestral Suites, with Richard Egarr, conductor, and flutist Alexander Lipay; Benaroya Hall, Feb. 20. 

The Seattle Symphony’s “Baroque and Wine” series has always struck this listener as an odd pairing: a flight of vino is just about the last thing you need before a concert of early music. But it’s a concept that seems to work well; the audiences may be well wined, but they are hardly somnolent, as was apparent in the response to the Symphony’s recent program of Bach’s Orchestral Suites.

Of course, nobody could be drowsy with a conductor/harpsichordist like Richard Egarr on the stage. The British-born Egarr, a lively musician and an admirable raconteur, is the music director of the esteemed Academy of Ancient Music and is in demand all over the world for concerts like the program he led in Seattle. His previous appearances here have included a visit with the Academy, as well as a harpsichord performance of Bach’s “Goldberg Variations.”

Witty and high-energy, Egarr is not above terming Bach’s coffeehouse performances as “a sort of intellectual Starbucks,” or characterizing Bach’s Orchestral Suite No. 2 as “the most intimate and highly perfumed of the Suites.” His commentary was both humorous and informative, setting just the right tone for the engaging performances that followed.

Conducting the various-sized Seattle Symphony ensembles from the harpsichord, Egarr was a supercharged maestro who leaped up to conduct crucial passages while keeping one hand on the keyboard. He was equally good at underlining the delicacy of one movement, and the grandeur of another, with lots of variety of orchestral colors and extremely flexible dynamics. The orchestra ensembles appeared to have no trouble following him through all the program’s sudden twists and tempo changes.

And it didn’t hurt that Alexander Lipay, an excellent flutist with Seattle connections, was on hand as the soloist in the third of the Bach Orchestral Suites (his main job is principal flute in the Tucson Symphony, but he has concertized extensively as a soloist). Lipay’s spirited account of the famous flute solos spurred a well-deserved standing ovation.

Egarr’s love of Bach and his music shone through every movement of the four Suites. Of the famous, so-called “Air on the G-String” (in the Suite No. 3), Egarr observed: “It is famous for a good reason: it is a perfect piece of music.”
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Location : Seattle
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