Join Marta Zekan on a journey across Spain (October 16 – 26)!
Classical KING FM is dedicated to inspiring the next generation of music lovers. This spring, we’re partnering with the King County Library System and Music Center of the Northwest to bring our famous Instrument Petting Zoos to a King County library near you!
Bring your kids and have fun listening, touching, playing, and learning about musical instruments of all kinds from the musicians who play them. It’s all part of King County Library’s Playing with Words program.
Petting Zoo Dates:
Wednesday, April 4, 2018 at 11am
12315 NE 143rd, Kirkland, WA 98034.
KCLS Contact: 425.823.8125
Thursday, April 5, 2018 at 11am
400 SW 152nd, Burien, WA 98166
KCLS Contact: 206.243.8119
Wednesday, April 11, 2018 at 11am
212 2nd Avenue N., Kent, WA 98032
KCLS Contact: 253.520.2177
Saturday, April 28, 2018 at 11am
19601 21st NW, Shoreline, WA 98177.
KCLS Contact: 206.542.0333
Wednesday, May 9, 2018 at 1pm
Mercer Island Library
4400 88th SE, Mercer Island, WA 98040
KCLS Contact: 206.232.4481
Saturday, May 19, 2018 at 2pm
7824 Center Boulevard SE, Snoqualmie, WA 98065.
KCLS Contact: 425.888.2183
The Classical KING FM 98.1 Magic Circle Ticket Giveaway will run 3-5pm on Tuesday, March 7th. Fill out the form below to enter!
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The Classical KING FM 98.1 iPad Mini sweepstake will run until 8pm on Wednesday, March 8th. Fill out the form below to enter!
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The Classical KING FM 98.1 Amazon Echo sweepstake will run from 8am on Saturday, March 4th until 7pm on Sunday, March 5th, as well as 8am-7pm on Thursday, March 9th. Fill out the form below to enter!
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Missed one of our Seattle Symphony Spotlights? Listen to Dave Beck’s most recent interviews on-demand below!
Heeding the Siren Call of Chopin: Pianist Benjamin Grosvenor
Thursday, June 29
Pianist Benjamin Grosvenor returns to solo with the Seattle Symphony in Benaroya Hall this week. Music director Ludovic Morlot invited Benjamin to perform in the orchestra’s Rachmaninoff Festival in 2013, an event showcasing the talents of extraordinary young international soloists. Benjamin first attracted the attention of the music loving world as an 11 year-old when he won the BBC Young Musician Competition. By age 13 he was making his American debut in Carnegie Hall playing a Ravel Concerto. We’ve been particularly fortunate in Seattle to hear this much in demand artist relatively often. His fourth appearance in Seattle since 2012 happens this week when he performs the Chopin Second Piano Concerto on June 28th, 30th and July 1st with the Seattle Symphony. Dave Beck spoke with Benjamin Grosvenor about how Chopin was one of the first composer’s to capture Benjamin’s ears and imagination when he began his piano journey at age 6.
Travels with the Guarnieri: In Conversation with Cellist Johannes Moser
Thursday, June 21
Johannes Moser is a German-Canadian cellist whose exquisite 1694 Guarnieri cello came into his hands courtesy of a cello-playing German doctor. Johannes needed a fine instrument and this particular amateur string player happened to have a house full of great cellos sitting unplayed. Johannes was happy to make sure the instrument got some playing time. Over the last 9 years that Guarnieri has accompanied Johannes at his Carnegie Hall debut, to his critically acclaimed recording sessions and at engagements where Johannes Moser worked with the film composer and conductor John Williams. Johannes Moser plays two of John Williams works for solo cello and orchestra with the Seattle Symphony in Benaroya Hall this week. Johannes speaks with Dave Beck as part of this week’s Classical KING FM-Seattle Symphony Spotlight.
Ludovic Morlot on Wonderful Town and the Wonder of Bernstein
Thursday, June 14
On our Classical KING FM/Seattle Symphony Spotlight we go backstage to the conductor’s study at Benaroya Hall where music director Ludovic Morlot is ready to swing this week as he leads the music of Leonard Bernstein in celebration of the 2018 Bernstein Centennial. Ludo tells KING FM’s Dave Beck that he’s been driving around in his car listening to music from the Swing Era this week in anticipation of conducting scores of Bernstein, so infused with the sounds of jazz and American Popular music. The concerts Thursday night, June 14 at 7:30 and Saturday night June 16th at 8 in Benaroya Hall feature 11 vocal soloists, the Seattle Symphony Chorale and orchestra performing the music from Wonderful Town. Alexandra Gardner, the SSO’s composer in residence this season will have her new work “Significant Others” premiered, and the Seattle Symphony Principal Clarinet, Ben Lulich will solo in this work, from 1955, Prelude Fugue and Riffs by Leonard Bernstein.
SSO Composer-in-Residence Alexandra Gardner: My Heart is with Rhythm and Pulse
Thursday, June 7
Among the influences shaping the music of Alexandra Gardner, this season’s composer-in-residence with the Seattle Symphony, is her experience as a percussionist, her studies of electroacoustic music and her fascination for the compositions of Steve Reich. “My heart is with rhythm and pulse” Alexandra says of her music. Her newly composed piece “Significant Others” will have its world premiere by the Seattle Symphony, music director Ludovic Morlot conducting, in Benaroya Hall on June 14th and 16th. The piece is inspired by the larger-than-life personality of Leonard Bernstein, whose music from the 1953 Tony Award-winning musical “Wonderful Town” will be featured on the program. On our most recent KING FM/Seattle Symphony Spotlight, Dave Beck spoke to Alexandra Gardner about her work with student composers and homeless youth in Seattle and her fascination for music’s power to “make something terrible into something that is beautiful.”
Thomas Dausgaard: Exploring the Roots of the Sibelius Sound
Thursday, May 31
Seattle Symphony Music Director designate and Principal guest conductor Thomas Dausgaard returns to Seattle this week to lead an early work by Jean Sibelius, ”Kullervo”, a musical canvass more than an hour in length, making use of two vocal soloists, a chorus of mens voices and symphony orchestra. The music, composed in 1891 when Sibelius was just 26 years old, foreshadows some of the distinctive rythms and melodies that are so strongly associated with the composer’s later symphonies and tone poems. Thomas Dausgaard joins Dave Beck in the Classical KING FM studios to share the story of the creation of ”Kullervo”, to explore some of the folk roots of the piece, and to introduce us to the Finnish national epic known as the ”Kalevala”, in which the story of the deeply flawed hero Kullervo orginates.
Nerding Out With the Score: Karina Canellakis Answers the Call to Conduct
Thursday, May 17
This week’s Seattle Symphony guest conductor, Karina Canellakis says she was making a very nice life for herself as a violinist before conducting rudely intruded. She was playing violin in great orchestras like the Chicago Symphony and Berlin Philharmonic, and saw her future as a concertmaster or member of a string quartet. But she’d always been fascinated with the how her violin playing fit in with the bigger picture. She spent her private time in libraries studying musical scores. When one of the great conductors she encountered as a violinist–and idolized—-Sir Simon Rattle, found out about Karina’s interest in conducting, he encouraged her to give it a try. After just 5 weeks on the job as assistant conductor of the Dallas Symphony in 2014, Karina had a revelation about her future in conducting that she describes as a ”wake up punch to the face.”
Karina Canellakis makes her Seattle Symphony debut conducting Prokofiev, Haydn and Dvorak this week. She tells KING FM’s Dave Beck the story of her path to the podium.
SSO’s Eric Jacobs on the Lullaby Project: Creativity, Community, Compassion
Thursday, May 10
With Mother’s Day ahead, the Seattle Symphony will celebrate the 6th season of its participation in the Lullaby Project. The program is a collaboration between the SSO and the Seattle non-profit Mary’s Place, assisting mothers and their families facing homelessness and other distressed situations. The project helps moms create a personal lullaby for their babies and children. These lullabies are then recorded with the assistance of teaching artists and musicians in the Seattle Symphony. On our Seattle Symphony Spotlight interview this week, KING FM’s Dave Beck speaks with one of the participating musicians in the program this year. Eric Jacobs plays clarinet and bass clarinet in the SSO. Eric explains how he and the Lullaby Project team members work with families in this extraordinary program of compassion, creativity and community engagement.
Director and Designer Michael Curry on Seeing the Music of Stravinsky
Thursday, April 26
Seattle Symphony Music Director Ludovic Morlot leads an all Stravinksy program this week in Benaroya Hall featuring an impressive cast of vocal and instrumental soloists, a narrator, dancers, puppeteers and three different choruses. Two rarely heard works of Stravinsky are featured, Les Noces or ”The Wedding” and the composer’s 1933 setting of the Persephone Myth, a work blending elements of drama, dance, opera and oratorio. KING FM’s Dave Beck speaks with the stage designer and director collaborating with the SSO in Persephone. Michael Curry loves collaboration across disciplines and says collaboration “exponentially” increases the quality of any project. His collaborators have been impressive. Michael Curry’s work has been seen in Broadway’s Lion King, at Olympic Games opening and closing ceremonies and in productions at Cirque De Soleil and the New York Metropolitan Opera.
Velvet Barbie with the Pink Bell: Danielle Kuhlmann’s French Horn Odyssey
Thursday, April 19
On our Seattle Symphony Spotlight this week we meet the French horn player in the Seattle Symphony immediately recognizable by the bright pink bell of her instrument. Danielle Kuhlmann is one of the newest players in the Seattle Symphony. She grew up in Seattle, played in the Seattle Youth Symphony, excelled as both a jazz singer and horn player at Seattle’s Garfield High School, and is part of a cutting edge French horn quartet whose brilliant playing of pop arrangements and distinctive sense of style and flair has wowed the music world. Danielle joins us and shares the music of Genghis Barbie, a group that describes itself as “the leading post-feminist, feminist all-female horn experience.” The women in the band like a little Beyonce, Dolly Parton, Madonna and Lady Gaga along with their Strauss and Debussy. Classical KING FM’s Dave Beck speaks with Danielle Kuhlmann.
“One of the Happiest Musical Relationships of my Life”: John Luther Adams and the SSO
Thursday, March 29
Composer John Luther Adams describes his work with Seattle Symphony music director Ludovic Morlot and the SSO musicians as “one of the happiest musical relationships of my life.” It’s a collaboration that has resulted in a Pulitzer Prize and Grammy award for 2013’s “Become Ocean”. 5 years later the collaboration continues with the World Premiere this week of John Luther Adams “Become Desert.” It takes place Thursday night, March 29, 2018 and Saturday night March 31st, 2018 in Benaroya Hall—with Ludovic Morlot conducting the Seattle Symphony and members of the Symphony Chorale. John Luther Adams speaks with Classical KING FM’s Dave Beck in our studios about moving from tundra to desert, JLA’s fascination with immense spaces and the importance of using the right tools —in his case the best number 2 pencil that can be found.
Ludovic Morlot on the Landscapes and Seascapes of Britten, Sibelius and John Luther Adams
Thursday, March 22
Seattle Symphony Music Director Ludovic Morlot is navigating his way through the sea of notes in scores by Sibelius, Britten and John Luther Adams this week as he prepares the SSO for upcoming Masterworks concerts in Benaroya Hall and a tour of Southern California in the weeks ahead. Much of the music in the ears and under the fingers of the Seattle Symphony is inspired by the ocean. We’ll hear more about the pieces when we meet Ludo in his Benaroya conductor’s study to hear more about the program this week. Performances are coming up on March 22nd, 24th and 25th. The program will include The Oceanides by Sibelius, Four Sea Interludes and Passacaglia from the opera Peter Grimes by Benjamin Britten and the Sibelius Second Symphony. Classical KING FM’s Dave Beck speaks with Ludovic as part of our Seattle Symphony Spotlight.
From Ballet to Bach: Raquel Lojendio’s Circuitous Path to the Concert Stage
Thursday, March 15
Spanish soprano Raquel Lojendio was headed for a career in law when she joined a chorus at the University she was attending. Once her extraordinary and versatile voice was discovered among the choristers, she left law study at age 23 and entered the world of opera and symphonic performance. Raquel’s work with symphony orchestras and opera companies around the world now ranges from Bach and Mahler oratorios and symphonies to roles in operas by Verdi and Mozart. Though well known in Europe, Racquel Lojendio’s voice is new to American audiences. Following a successful debut with the Boston Symphony Orchestra, she is making her first Seattle appearance this week singing the soprano roles in ”Carmina Burana” and the complete ”Three Cornered Hat” ballet music by Manuel DeFalla. Originally trained as a ballet dancer, she shares her circuitous path to the concert stage with Classical KING FM’s Dave Beck in this week’s Seattle Symphony Spotlight conversation. Another Spanish native, Pablo Rus Broseta, Associate Conductor of the Seattle Symphony, leads these performance in Benaroya on Thursday night, March 15 at 7:30, Saturday evening March 17 at 8 and Sunday afternoon, March 18th at 2 oclock. ”Three Cornered Hat” is also on the program on the SSO Untuxed concert, Friday night, March 16th at 7PM.
From Student to Colleague: Ben Lulich and Laura DeLuca on their Seattle Symphony Reunion
Thursday, March 8
This week Ben Lulich, principal clarinet of the Seattle Symphony since 2014, will solo with his colleagues in the orchestra as he performs the Carl Nielsen Clarinet Concerto. The performance is Friday, March 9th at noon in Benaroya Hall, in a program that also includes works by Mendelssohn, Haydn and Schubert. The SSO’s Associate Conductor, Pablo Rus Broseta will lead the program. Ben Lulich joins KING FM’s Dave Beck in this archived conversation from January 2015. We talk to Ben and another Seattle Symphony clarinetist, Laura DeLuca. Laurie was one of Ben’s first clarinet teachers as he grew up in the Seattle area. Ben and Laurie share the extraordinary story of how Ben came back home to play in the Seattle Symphony after spending the early years of his career performing with outstanding professional orchestras across the country, including the prestigious Cleveland Orchestra.
From Stormy Haydn to Transcendent Part: Thomas Zehetmair on Music of Passion and Serenity
Thursday, March 1
Thomas Zehetmair is an internationally celebrated violin soloist, chamber musician and conductor who makes his first-ever appearances with the Seattle Symphony this week. He’ll perform the dual roles of guest conductor and guest violinist when he solos with and leads the SSO in Benaroya Hall this week on Thursday night, March 1st at 7:30, Saturday evening March 3rd at 8 and Sunday afternoon, March 4th at 2 o’clock. His program encompasses contrasting works of passion and serenity. He begins with one of the dark, stormy symphonies of Haydn from the composer’s Sturm und Drang period in the 1770s, and explores the contemplative, meditative world of the Estonian composer Arvo Part’s Fratres, composed 200 years after Haydn’s symphony in 1977. He’ll also conduct the Schubert Unfinished Symphony and solo with the Seattle Symphony in Mozart’s 3rd Violin Concerto. Thomas Zehetmair is just completing several seasons as Artistic Partner with the Saint Paul Chamber Orchestra. He is Principal Conductor of Musikkollegium Winterthur and led England’s Royal Northern Sinfonia as its Principal Conductor for more than a decade. We often play recordings here at Classical KING FM from his impressive discography as violin soloist, founder of the Zehetmair String Quartet and conductor Thomas Zehetmair speaks with KING FM’s Dave Beck on our Seattle Symphony Spotlight.
Cristian Macelaru: Finding the Soul of Rachmaninoff through Penmanship
Thursday, February 1
Cristian Macelaru, recently appointed music director and conductor of the Cabrillo Festival of Contemporary Music, spent several seasons as a resident conductor with the Philadelphia Orchestra. It was there that he gained access to scores that Rachmaninoff himself used over the course of the composer-pianist’s long association with the Philadelphia Orchestra. We’ll hear about how studying those scores shape Cristian’s approach to Rachmaninoff. In a return appearance as SSO guest conductor, Cristian leads performances of the Rachmaninoff 3rd Symphony in Benaroya Hall, February 1-3, 2018. Cristian Macelaru speaks with KING FM’s Dave Beck on our Seattle Symphony Spotlight.
Violinist Yesong Sophie Lee: ”Sophie Sauce” With a Dash of Heifetz and Grumiaux
Thursday, January 18
Yesong Sophie Lee is one of the 5 rising stars in the music world who performed with the Seattle Symphony in Benaroya Hall during
the orchestra’s recent Prokofiev Concerto Festival. The 14 year-old violinist from the Seattle area talks with KING FM’s Dave Beck about her prize winning performances at the 2016 Menuhin International Junior Violin Competition in London. She describes how her breath was taken away when she first looked out into the opulent concert hall where she performed in competition. She also shares her admiration for violinists of previous generations like Grumiaux, Heifetz and Kreisler.
Augustin Hadelich on the Ligeti Sound: “Music From Some Mysterious, Long Lost Culture”
Thursday, January 4
In February 2016 violinist Augustin Hadelich in collaboration with the Seattle Symphony and Music Director Ludovic Morlot, won a Grammy Award for Best Classical Instrumental Solo for his recording of the Henri Dutilleux Violin Concerto, “The Tree of Dreams.” This recording was part of a three-disc, multi-year recording project on Seattle Symphony Media, the orchestra’s in-house record label. Augustin Hadelich is well known and beloved by Seattle audiences for his Seattle Symphony solo appearances and for his performances at Winter and Summer Festivals of the Seattle Chamber Music Society. Among the many honors for this German-born artist, one of the great violinists of the day, is Musical America’s 2018 Instrumentalist of the Year. Augustin plays the Gyorgi Ligeti Violin Concerto, composed between 1984 and 1992, with the Seattle Symphony led by Music Director Ludovic Morlot in Benaroya Hall this week. Augustin spoke with KING FM’s Dave Beck about this demanding, innovative, mysterious and emotionally compelling concerto.
Alastair Willis on Beethoven 9: Music of Personal and Universal Resonance
Thursday, December 28
On our latest Seattle Symphony Spotlight this week we meet a conductor who has made his home in Seattle for several years now. Alastair Willis became an assistant conductor at SSO in 2000. Since leaving that post in 2003, he’s been engaged by orchestras throughout the United States and around the world. Alastair currently serves as music director of the South Bend Symphony in Indiana. He is back in Benaroya Hall to lead the Beethoven Symphony Number 9 with the Seattle Symphony, SSO Chorale and vocal soloists. The performances are Thursday through Saturday evenings, December 28 through 30th. Alastair Willis joins us to talk about his earliest introduction to the 9th Symphony and how hearing rehearsals and performances of the piece by the Berlin Philharmonic left such a strong impression on him. Alastair was simultaneously preparing his first-ever performance of the Beethoven 9th Symphony while awaiting the birth of his daughter in 2015. And Alastair’s sister, Sarah Willis, is one of the horn players in the Berlin Philharmonic who often performs the famous 4th horn solo in the symphony’s 3rd movement. The piece has great personal and universal resonance for Alastair and many who encounter the music. Alastair Willis talks about Beethoven 9 with Dave Beck in the Classical KING FM studios.
Gidon Kremer: Making the Case for Neglected Masterpieces
Thursday, October 12
For a composition not performed until 80 years after it was written, and a piece ignored by most violinists, Gidon Kremer has a deep passion and fascination for the Robert Schumann Violin Concerto in D minor. On this edition of our Classical KING FM Seattle Symphony Podcast we’ll hear one of two recordings Gidon Kremer has made over the years of the Schumann Concerto. He’ll share how the piece was introduced to him and offer insights into why Schumann’s wife Clara and his young composer friend Brahms sought to keep the violin concerto hidden from the public for decades. The Schumann D minor Violin Concerto is the centerpiece of the program when Gidon Kremer solos with Music Director Ludovic Morlot and the Seattle Symphony Thursday night, October 12th at 7:30 and Saturday night October 14th at 8 in Benaroya Hall. The program opens with another rarely performed work, a string symphony written in his early teen years by Felix Mendelssohn. Mendelssohn also closes the program as the SSO performs his colorful musical travelogue, the Italian Symphony Number 4. Gidon Kremer joined Dave Beck this week in the Classical KING FM studios.
Giancarlo Guerrero: On Life in the “American Music City”
Thursday, September 21
Giancarlo Guerrero loves the city of Nashville and takes great pride in his role in the life of what he calls the nation’s “American Music City.” Maestro Guerrero notes that in Nashville “you can hear the latest in contemporary classical music in our concert hall, then walk two blocks and listen to the greatest Bluegrass players in the world.” Maestro Guerrero is the music director of the Nashville Symphony and the guest conductor this week of the Seattle Symphony’s season opening Masterworks Concerts in Benaroya Hall. He speaks with KING FM’s Dave Beck in this week’s Seattle Symphony Podcast. Giancarlo Guerrero leads performances on Thursday, September 21 through Sunday, September 24th. Maestro Guerrero was approached on very short notice to conduct the Mahler and the Hector Berlioz “Death of Cleopatra.”this week. SSO Music Director Ludovic Morlot is recovering from recent leg injury and is unable to conduct. Giancarlo Guerrero talks about his fascination and appreciation for the emotional depths that Mahler explores in the second symphony. And we begin our conversation with a discussion about Maestro Guerrero’s deep roots he’s setting down in the city of Nashville. He began his tenure as Music Director there in 2009 and has signed a contract taking him through the 2024-25 season.
SSO President and CEO Simon Woods Promises “Epic” 17-18 Season Ahead
Wednesday, September 13
Welcome to a new season of Seattle Symphony Podcasts from Listener Supported Classical KING FM. The Seattle Symphony opens its new season this coming Saturday, September 16 at 5PM in Benaroya Hall. Renee Fleming, soprano, heard here in music by Samuel Barber, is the guest soloist in a varied program running from Barber’s “Knoxville Summer of 1915” to opera arias, to songs by the Icelandic composer, performance artist and singer Bjork. Pablo Rus Broseta conducts the program in which the SSO plays instrumental works by Barber and Verdi. Seattle Symphony President and CEO Simon Woods joins us on our weekly podcast for his look ahead to the SSO 2017-18 season. In conversation with KING FM’s Dave Beck, Simon Woods describes an “epic” season, chock full of big events.
Ludo in Berlin: “Chamber Music with 100 People”
Wednesday, June 21st
On this week’s Classical KING FM/Seattle Symphony Podcast, SSO Music Director Ludovic Morlot is back in Seattle after an eventful week in which he made his conducting debut with the Berlin Philharmonic. He’ll reflect on his three performances with the venerable Berlin orchestra with KING FM’s Dave Beck.
Plus, this week Ludovic dives right into the concluding Masterworks concerts of this Seattle Symphony season. On June 22-24 at Benaroya Hall, he leads vocal soloists and members of the Seattle Symphony and Chorale in the 1965 Requiem by György Ligeti. Ligeti’s sound world, described as containing “sonorities of almost palpable physicality” is music you’ll remember from Stanley Kubrick’s film 2001: A Space Odyssey. Gustav Mahler’s 5th Symphony will conclude these Seattle Symphony Masterworks programs.
Richard Strauss: His Creative Life In Songs and Tone Poem
Wednesday, June 14th
Seattle Symphony Principal guest conductor Thomas Dausgaard returns to lead the orchestra in this week’s Masterworks concerts in Benaroya Hall. On June 15 and 17, Thomas Dausgaard conducts the SSO in two works of Richard Strauss. An Alpine Symphony from 1915 is a musical portrait of a harrowing hike up an Alpine peak that young Strauss experienced as a teenager. And the opening work on the program is the final work of Strauss, written at age 84: The Four Last Songs. In an interview with Dave Beck in the Classical KING FM studios, Thomas Dausgaard talks about the complex emotional, spiritual, and philosophical background of both pieces.
SSO, Dausgaard and Nielsen: Owning the Music
Wednesday, June 7th
Seattle Symphony Principal Guest Conductor Thomas Dausgaard returns to lead the orchestra in the next two weekends of Masterworks concerts in Benaroya Hall. This weekend, Dausgaard conducts the SSO in music of his Danish countryman, Carl Nielsen. The “Sinfonia Espansiva” follows on successful collaborations by Dausgaard and the SSO in Nielsen’s “Inextingushable” Symphony No. 4 during last year’s Seattle Symphony season.
As he tells KING FM’s Dave Beck in a recent interview in our studios, Dausgaard was excited to revisit another Nielsen Symphony with the SSO as soon as possible. He writes in this week’s Seattle Symphony program book: “I was bowled over by the connection between Nielsen’s music and the fantastic musicians in the Seattle Symphony—they owned it! We quickly rearranged this concert to include another favorite symphony by Nielsen, his Third.”
Under the Spell of the Sounds of Ravel
Wednesday, June 1st
Ever since the 2016-2017 Seattle Symphony season was announced over a year and a half ago, SSO music director Ludovic Morlot has been looking especially forward to this week’s Masterworks concerts in Benaroya Hall. The featured work on the program is the one-act Maurice Ravel opera from the mid-1920s called L’Enfant Et Les Sortilege (or “The Child and the Magic Spells”). It’s not only a work reflecting Ludo’s French heritage, but it’s also music that connects him to his early years as a conductor and to his love of the subtleties of French language, literature and culture.
In a conversation this week in the KING FM studios, Ludovic spoke with KING FM’s Dave Beck about the remarkable sound world Ravel creates in this opera. The excerpts from the opera that we’ll hear as we chat are from a 2010 recording conducted by one of Ludo’s great mentors, the long-time Boston Symphony Music director Seiji Ozawa.
New Ives from the SSO and A Primer on Classical Recording History
Wednesday, May 24th
This week on our Classical KING FM Seattle Symphony Podcast, a first listen to the latest recording in the Seattle Symphony’s exploration of the music of Charles Ives. Released on the orchestra’s Grammy Award-winning Seattle Symphony Media label, the new disc features Three Places in New England, Orchestral Set No. 2, and New England Holidays by Ives. With the release of the new recording, we thought we’d take the opportunity to speak to the orchestra’s president and CEO Simon Woods about a topic he knows well—the economics, history and transformation of the classical recording industry since the 1980s. Click here to read more.
Broadway Rocks: Seattle Symphony and Seattle Men’s Chorus
Wednesday, May 17th
The first-ever collaboration between the Seattle Symphony and Seattle Men’s Chorus takes place in Benaroya Hall this weekend when music from shows like Jersey Boys, Hairspray, Rent, The Wiz, and Phantom of the Opera is performed by the SSO, the Seattle Men’s Chorus, and a cast of soloists with impressive Broadway credits. The program called “Broadway Rocks” is on stage Friday, May 19 through Sunday May 21st.
Together with Seattle Women’s Chorus, the Seattle Men’s Chorus and its partner organizations comprise the largest community chorus organization in North America, and stand out as the largest LGBT-identified men’s and women’s choruses in the world. KING FM’s Dave Beck talks to Steve Smith, Executive Director of SMC, about the special sense of community and mission that these singers bring to their music-making. We’ll also hear the Seattle Men’s Chorus in performance at the University of Washington’s Meany Theatre (led by conductor Emeritus Dennis Coleman) and Aaron Copland’s setting of “Ching-A-Ring Chaw.”
Lullaby Project: Finding Shelter in a Simple Song
Wednesday, May 10th
With Mother’s Day ahead this weekend, the Seattle Symphony will celebrate the fifth season of its participation in the Lullaby Project. The program works with Mary’s Place in Seattle to assist mothers and their families who are facing homelessness and other distressed situations. The project helps the moms create a personal lullaby for their babies and children. These lullabies are then recorded with the assistance of teaching artists and musicians in the Seattle Symphony.
On this week’s KING FM Seattle Symphony podcast, Laura Reynolds, Seattle Symphony Director of Education and Community Engagement, gives us an update on the Lullaby Project and shares a taste of the music that springs from the program. She speaks with KING FM’s Dave Beck. The Lullaby Project Celebration concert happens this Saturday, May 13 at 3pm in Soundbridge at Benaroya Hall.
He conducts! He sings! He plays the violin! The Baroque Triple Threat Dmitry Sinkovsky
Wednesday, May 3rd
A Russian-born violinist, conductor, and singer who impressed Seattle Symphony audiences with his 2016 appearance in Benaroya Hall returns this weekend for the next concerts in the orchestra’s Baroque and Wine Series. The program called “Italian Masters” features the singing, violin playing, and conducting of Dmitry Sinkovsky. Several members of the Seattle Symphony will have solo opportunities as well in a program that features Vivaldi, Corelli, Geminiani, and more. The triple-threat artist tells KING FM’s Dave Beck the story of how Dmitry’s countertenor voice was discovered by accident when Dmitry was using his violin, and his voice, to coach a young singer in the art of baroque style, phrasing, and interpretation.
The concert times in Benaroya Hall this weekend are May 5 and 6 at 8pm and May 7 at 2pm. We’ll speak with Dmitiry Sinkovsky on this week’s podcast, and we’ll also hear him soloing and leading the Ensemble Il Pomo D’Oro in the Vivaldi Double Violin Concerto in C Major, RV 508.
Pianist George Li: Nail-Biting Moments at the 2015 Tchaikvosky Competition
Wednesday, April 27th
This week on our Seattle Symphony Podcast, Dave Beck speaks with the young pianist who first appeared in front of Seattle audiences in the summer of 2016 as one of the performers in the Seattle Chamber Music Society Summer Festival. George Li is a 21-year-old college student who’s been appearing in front of international concert audiences since he was 10 years old. These days George balances studies at Harvard University and the New England Conservatory of music with his professional orchestral and recital engagements. He walks us through some of his nail-biting experiences as a top competitor in the 2015 International Tchaikovsky Competition in Moscow. He was the Silver Medalist in the competition that year.
This week George Li plays the Tchaikovsky Piano Concerto No. 1 with the Seattle Symphony, led by guest conductor Christoph Konig. Also on the program is Alexander Zemlinsky’s The Mermaid: Symphonic Fantasy After Hans Christian Andersen. These Seattle Symphony Masterworks performances this week are April 27 and April 29 at 8pm in Benaroya Hall.
Ludovic on Bruckner 5: “Comforting and Powerful in the Search for Inner Truth”
Wednesday, April 19th
Our Classical KING FM Seattle Symphony Podcast this week features host Dave Beck in conversation with Music Director Ludovic Morlot about Ludo’s first ever exploration with the SSO of the music of Anton Bruckner. The Bruckner Symphony No. 5 in B flat Major is the only work on this week’s Seattle Symphony Masterworks concerts, with performances on April 20 at 7:30pm and April 22 at 8pm in Benaroya Hall.
We go backstage to the conductor’s suite at Benaroya for this podcast, as Ludo talks about how Bruckner’s massive symphony brilliantly brings together an improvisatory feel with the composer’s highly disciplined use of materials spanning the length of the piece. We’ll explore that idea through the 5th symphony’s scherzo movement.
“Reaching Beyond the Everyday”: The Artistic Pursuits of Pianist Stephen Hough
Wednesday, April 12th
On our latest Seattle Symphony Podcast, Classical KING FM’s Dave Beck visits with this week’s SSO guest artist, the multi-talented British pianist, composer, and concert and recording artist Stephen Hough. He’s made more than 50 recordings during his career, he was the first ever classical artist to win a MacArthur Foundation Genius Award, and he is also a painter, author, and lecturer.
We’ll sample a recording of and hear the story behind a Mass written by Stephen Hough in the wake of a serious automobile accident a decade ago. And he speaks about his admiration for the work of another gifted pianist composer, Sergei Rachmaninoff, whose Rhapsody on a Theme of Paganini Stephen Hough plays with the Seattle Symphony in Benaroya Hall this week. His performances with the Seattle Symphony, led this week by guest conductor Olari Elts, are April 13 through 15.
SSO Celebrate Asia: Bringing New Composers to the International Stage
Wednesday, April 5th
Celebrate Asia is an annual concert presented by the Seattle Symphony which is both global and local in its orientation. The concert, celebrating its 10th anniversary this year, reflects the vibrant Asian community around Seattle, and over the past decade has brought new music to the stage written by composers of Japanese, Chinese, Filipino, Indian, and Vietnamese backgrounds, among others. Celebrate Asia happens on May 12 of this year with pre-concert music and activities in the Grand Lobby of Benaroya Hall. The concert on the Benaroya main stage begins that evening at 7pm and includes music by the Indian composer A.R. Rahman, best known for his work on the 2008 film Slumdog Millionaire.
Elena Dubinets is the Vice President for Artistic Planning at the Seattle Symphony. She joins us to talk about how Celebrate Asia has played a role in launching the careers of a number of internationally-acclaimed young composers. One of them is the Iranian Alireza Motevaseli, whose concerto for the plucked string instrument called the Santoor was featured by the SSO at the 2016 Celebrate Asia concert. We’ll hear some of that music in this week’s podcast.
Thomas Dausgaard: On the Russian Orthodox Roots of Rachmaninoff
Wednesday, March 29th
On this week’s KING FM Seattle Symphony Podcast we visit in the KING FM studios with the Principal Guest Conductor of the Seattle Symphony, Thomas Dausgaard. He’s on the podium in Benaroya Hall this week for an unusual presentation of Rachmaninoff’s music. Along with the First Piano Concerto with soloist Alexander Melnikov and the Second Symphony of Rachmaninoff, these concerts also feature the Portland-based vocal ensemble Capella Romana. The choir will sing before each of the Rachmaninoff pieces, demonstrating how the chant tradition of the Russian Orthodox Church so strongly colors the music of Sergei Rachmaninoff.
Dave Beck talks with Thomas Dausgaard about how Capella Romana will collaborate with the SSO use chant to explore the roots of Rachmaninoff’s sound and style. These all-Rachmaninoff programs are March 30 through April 1 in Benaroya Hall.
Ludovic Morlot on Beethoven: The Journey From Darkness to Light
Wednesday, March 22nd
Dave Beck visits backstage at Benaroya Hall with music director Ludovic Morlot, who reflects on the SSO’s latest Grammy Award-winning recording and other recent highlights in the life of the orchestra. Plus, Ludovic shares his thoughts on the conclusion this week of the SSO’s two-year cycle of Beethoven symphonies and concertos. The cycle concludes with SSO performing Beethoven 5th Symphony March 23 and 25. Also on the program, “Memorial to Lidice” by Bohuslav Martinu , Beethoven’s “Creatures of Prometheus” Overture, and Betrand Chamayou appearing as soloist in Bartok’s Second Piano Concerto.
In his notes for the Masterworks Concerts Ludovic Morlot says: “The program is an exploration of ideas surrounding music in the time of war, the journey from darkness to light and how each of us addresses that journey.” It is the Beethoven 5th Symphony with its strife-torn first movement and exultant finale that gives this journey its most vivid musical expression.
The Kernis/Ehnes Collaboration: New Music a Decade in the Making
Wednesday, March 15th
This week on our Classical KING FM Seattle Symphony podcast we talk to the artists whose long time collaboration brings a newly created violin concerto to Benaroya Hall. The Seattle Symphony gives the U.S. premiere of Pulitzer Prize-winning American composer Aaron Jay Kernis’s new violin concerto, which he wrote for his friend violinist James Ehnes, the artistic director of the Seattle Chamber Music Society.
Performances of the new concerto are March 16-18 at Benaroya Hall, when music director Ludovic Morlot conducts the orchestra in the latest series of SSO Masterworks concerts. We visit with James Ehnes and Aaron Jay Kernis to learn more.
Countertenor Reginald Mobley: The Barry Gibb of Baroque
Wednesday, February 22nd
On our latest Seattle Symphony Podcast, Dave Beck visits with American countertenor Reginald Mobley. Reggie, as he prefers, grew up in the state of Florida where his naturally high, nuanced, elegant, and extremely rare voice was discovered by accident by one of his sharp-eared music professors.
Reggie sings arias by Bach and Handel in Benaroya Hall on February 24 and 25 at 8pm as part of the next Seattle Symphony Baroque and Wine concerts. Associate Conductor Pablo Rus Broseta conducts the program also featuring the Seattle Symphony Chorale, soprano Christina Siemens and baritone Martin Rothwell. French Baroque music by Lully and Rameau is also on the concerts.
Reggie Mobley shares the story with Dave of how Reggie’s original plan to pursue a career as a visual artist took a most unexpected turn. And we hear Reginald Mobley sing Bach with the ensemble Agave Baroque.
Reunited with Joshua Bell and Dvorak with a Czech Accent
Wednesday, February 15th
Music Director Ludovic Morlot talks with KING FM’s Dave Beck about his experiences performing with this week’s guest artist at the Seattle Symphony: the superstar violinist Joshua Bell. Joshua was named Music Director of the Academy of St. Martin in the Fields in 2011, the first person to hold the title since the late Sir Neville Marriner formed the orchestra in 1958.
The Seattle Symphony and Joshua Bell are Grammy Award-winning artists. Joshua has recorded more than 40 CDs including the Oscar-winning soundtrack for The Red Violin. Joshua Bell plays the Tchaikovsky Violin Concerto with Ludovic and the Seattle Symphony in performances throughout the weekend. Also on the program this week: Bedrich Smetana’s “Dance of the Comedians” and Antonin Dvorak’s 8th Symphony brings the program to a close.
On Building Musical Community: Violinist Hilary Hahn
Wednesday, February 8th
This week on our Classical KING FM Seattle Symphony podcast host Dave Beck visits backstage at Benaroya Hall with violinist Hilary Hahn. She’s guest artist at the Seattle Symphony this week and one of the superstars of the classical music world. Hilary has won three Grammy Awards, made 16 recordings and has been soloing with the world’s great orchestras since she was a teenager. Hilary Hahn is this season’s featured artist at the Seattle Symphony, making an extended stay in the city this week.
Hilary Hahn talks with Dave Beck about her outreach work and her passion for building musical community in Seattle and around the world. Our conversation also turns to Hilary’s love for languages, writing and interviewing artists she encounters in her travels.
Listening to Every Voice: Ives, Art, Poetry, and the Homeless
Wednesday, February 1st
In November 2016 Seattle declared a state of emergency around the issue of homelessness in our region. Since 2013 the Seattle Symphony has been involved in efforts to respond artistically to that crisis through their Simple Gifts Initiative.
The latest chapter in the SSO’s Simple Gifts effort is a program of music, poetry and visual arts called “All of Us Belong.” Working with community partners like Catholic Housing Services, Compass Housing Alliance, and Mary’s Place, people experiencing homelessness in our region work with the SSO, its community partners, and teaching artists in a series of gatherings and workshops providing tools with which they reflect on their lives through music and art.
Dave Beck talks with SSO Music Director Ludovic Morlot and Seattle Civic Poet Claudia Castro Luna about how American composer Charles Ives’ early 20th century composition “New England Holidays” is the musical rallying point for this ambitious melding of SSO missions around artistic excellence and community engagement.
Embracing the Old and New in Music: Russian Pianist Alexei Lubimov
Wednesday, January 25th
Russian pianist Alexei Lubimov holds a place of honor in the world of Russian music for his dedication to the work of contemporary Russian and Soviet era composers. As a young artist in the Soviet Union, Alexei introduced John Cage, Karlheinz Stockhausen, and Pierre Boulez to Russian audiences—and he faced serious consequences for his daring resolve to introduce such once radical and unfamiliar styles.
This weekend he appears in SSO Masterworks concerts playing a Haydn Piano Concerto on Thursday night, January 26th and Saturday night, January 28th. On Friday the 27th he’ll be the featured artist in one of the late night “Untitled” concerts of new music, happening at 10pm in the Grand Lobby at Benaroya. That program will feature music by contemporary Russian composers Valentin Silvestrov, Alexander Rabinovitch Barakovsky, the late Galina Ustvolskaya—once a student of Shostakovich—and the youngest composer on the program, born in 1970, Pavel Karmanov.
Works of Wit and Weight: The Instrumental Concertos of Shostakovich
Wednesday, January 18th
Our Classical KING FM Seattle Symphony Podcast this week features Kevin Ahfat, the Canadian-born pianist and winner of the SSO’s Inaugural International Piano Competition plays the 1st and 2nd Shostakovich Piano Concertos with SSO Associate Conductor Pablo Rus Broseta leading the concerts. Kevin is one of one of three soloists in Seattle this week for performances in the Shostakovich Concerto Festival on Thursday, January 19th and Friday, January 20th in Benaroya Hall. KING FM’s Dave Beck talks with the young concert artist about Kevin’s excitement at returning to play again in Seattle. The pianist also discusses the witty and lighthearted nature of these piano works by Shostakovich, standing in stark contrast to the angry, brooding moments characterizing much of the composer’s violin and cello concertos.
The other soloists in the festival are cellist Edgar Moreau and violinist Aleksey Semenenko.
Broadway’s Megan Hilty: A Happy Homecoming
Wednesday, January 11th
Dave Beck speaks with the featured performer in the Seattle Symphony Pops concerts happening in Benaroya Hall Friday, January 13th through Sunday, January 15th. “Luck Be a Lady: Megan Hilty Sings Sinatra and More” showcases the tunes of songwriters ranging from Cole Porter to Barry Manilow. The show’s star grew up in the Puget Sound area. Megan Hilty talks about her early training as a classical singer, her collaboration with the songwriting team that gave us the smash hit Broadway musical Hairspray, and about the rewards and demands of being a mom and a busy performing artist.
Messiaen and Beethoven: Music of Hope in Times of Despair
Wednesday, January 3rd
The search for purpose, hope and meaning in the face of devastating circumstances is one of the themes running through the two highly contrasting works that make up this week’s Seattle Symphony Masterworks program in Benaroya Hall. Beethoven’s 9th Symphony is the creation of a man whose physical deterioration left him unable to hear or speak. And Olivier Messiaen’s “Three Little Liturgies of the Divine Presence” springs from the imagination of an artist recently liberated from a World War II German prison camp. SSO Music Director Ludovic Morlot joins KING FM’s Dave Beck with thoughts on why this pairing of diverse works, separated in time by about 120 years, makes for such a compelling presentation.
Mozart’s influence on his fellow composers is strongly felt, even today. Composers have paid tribute to this classical-era inspiration by re-working his music in various ways, creating imaginative variations and their own musical commentaries. Here are five of the most surprising revisions and tributes to Mozart’s music.
Tune in to 98.1 Classical KING FM all throughout the month of January for 31 Days of Mozart, our celebration of favorite works by the classical Wunderkind.
5. Wolfgang Amadeus Mozart/Timo Andres: Piano Concerto No. 26 “Coronation” for Chamber Orchestra and Piano
Mozart’s “Coronation” Concerto has a unique feature: the manuscript lacks notes in the left hand. It’s assumed that Mozart didn’t need to notate it, simply providing his own improvisation in performances of the work. There is a standard completion, filling out the score for modern performers, but it stops short of the sure magic of Mozart’s on-the-spot virtuosity that audiences flocked to see. American composer Timo Andres has taken a novel approach to this work, adding a left hand part that is all his own and effectively creating a new work that is half Andres, half Mozart. This stunning transformation achieves unmistakable, if polarizing, results. If you find the first movement too much to handle, give the more lush and lyrical second movement a try.
4. Igudesman and Joo: Rondo alla molto Turca
These guys first showed us how much comic potential there is in adding little tweaks to Mozart’s music with their infamous Mozart Bond sketch. They’re back at it in this skit from their “AND NOW MOZART” tour, where they give the Rondo alla Turca movement of his Piano Sonata No. 11 a spicy twist. We hope that Mozart would have laughed as hard as this huge audience.
3. Apap Cadenza to Violin Concerto No. 3 in G major
The French violinist Gilles Apap’s cadenza to Mozart’s G major concerto veers quickly into anachronistic territory, adding virtuosic fiddling, stomping, drumming, whistling, and singing. In about eight minutes, Apap travels around the world and through at least three centuries. Genius, or nonsense? You decide.
2. Tribal: Mozart Meets Trap
We’re back to the Rondo alla Turca from Mozart’s Piano Sonata No. 11, which has inspired all sorts of creations in the world of electronic dance music, ranging from pretty interesting to downright terrible. Whatever you think of this music, the launchpad controller technique here is a sight to behold, and it’s especially fascinating to see the DJ translate Mozart’s piano music directly to the keypad.
1. Arcadi Volodos: Rondo alla Turca “arrangement”
There’s not a whole lot of Mozart left by the end of this barn-burning encore piece, perfectly suited to the lightning fingers of Yuja Wang. It’s easy to get carried away by the party, as the innocent opening disguises an explosive few minutes of music.
Honorable Mention: Overture to Abduction from the Seraglio, expanded with Turkish music
The overture to an opera set in a Turkish harem, this work by Mozart included trendy, exotic musical sounds that evoked Turkish Janissary music. This performance of the work is truly something special, however; incorporating actual Turkish instruments and adding extended sections of Turkish music at the beginning, middle, and end, it goes beyond Mozart’s classical-era mock-up for an aesthetic much more authentic to the opera’s setting.
Some other memorable tributes to Mozart include Beethoven’s 7 Variations on “Bei Mannern weiche Leibe fuhlen” from Mozart’s Magic Flute, Reger’s Variations and Fugue on a Theme by Mozart, and Sor’s Introduction and Variations on a Theme by Mozart.
Wolfgang Amadeus Mozart, born on January 27, 1756, was one of the greatest musical minds of all time. Known throughout Europe as a prodigy of the keyboard and violin, he rose to prominence as a composer who brought every classical-era musical genre to its apotheosis. Before his untimely death at the age of 35, he composed an astonishing 626 pieces. We won’t get to play them all this month, but we’ve chosen some of our favorites, playing on KING FM all throughout the month of January.
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This Thursday, the Seattle Symphony celebrates the 113th anniversary of its first performance on December 29, 1903 under Harry West. Classical KING FM celebrates with a full broadcast of the orchestra’s recording of Gustav Mahler’s massive Symphony No. 8 at 8:00pm, hosted by Sean MacLean. The orchestra has had a history of both rocky patches (1921-22 season cancelled, mergers and then subsequent separations with Tacoma Philharmonic musicians in 1947-48) and huge successes (opening of the $120-million Benaroya Hall in 1998, 21 GRAMMY nominations and two awards).
It’s rare that 1,000 musicians are seen onstage for performances of this piece – the “Symphony of a Thousand” moniker was tacked on by a concert promoter, and was apparently abhorred by Mahler himself. The Eighth Symphony is certainly Mahler’s largest symphonic work in physical onstage forces, and represents a return to some elements of his earlier symphonies after the less programmatic, more existential Five and Six: it features long moments of innocent and breathlessly romantic music, and multiple combined choruses and vocal soloists that verbally articulate its philosophical content. Like all Mahler, we get fascinatingly disparate musical elements and thematic contradictions – the symphony’s first part is a setting of the medieval Latin hymn Veni, creator spiritus (“Come, Holy Ghost, Creator”) while the second part is a dramatic setting of the final scene of Goethe’s Faust in German that makes extensive use of the vocal soloists. Mahler didn’t write an opera, but the monumental second part of his Symphony No. 8 comes close.
In September, 2008, nearly 400 musicians assembled onstage in Benaroya Hall’s S. Mark Taper Foundation Auditorium to perform the work under the direction of then-Music Director Gerard Schwarz. Schwarz brought together Northwest Boychoir, Seattle Pro Musica, Seattle Symphony, Seattle Symphony Chorale and top vocal soloists including Lauren Flanigan, Jane Eaglen, Jane Giering-de Haan, Nancy Maultsby, Jane Gilbert, Vinson Cole, Clayton Brainerd and Harold Wilson for this historic performance in Seattle.
Here’s what Mahler had to say about his Eighth Symphony, speaking to the historian Richard Specht in 1908:
“Think, in the last three weeks I have completed the sketches of an entirely new symphony, something in comparison with which all the rest of my works are no more than introductions. I have never written anything like it; it is something quite different in both content and style from all my other works, and certainly the biggest thing that I have ever done. Nor do I think that I have ever worked under such a feeling of compulsion; it was like a lightning vision – I saw the whole piece immediately before my eyes and only needed to write it down, as though it were being dictated to me. This Eighth Symphony is remarkable for the fact that it unites two poems in two different languages, the first being a Latin hymn and the second nothing less than the final scene of the second part of Faust. Does that astonish you? I have for years longed to set this scene with the anchorites and the final scene with the Mater gloriosa, and to set it quite differently from other composers who have made it saccharine and feeble; but then [I] gave up the idea. Lately, however, an old book fell into my hands and I chanced on the hymn “Veni creator spiritus” – and at a single stroke I saw the whole thing – not only the opening theme, but the whole first movement, and as an answer to it I could imagine nothing more beautiful than Goethe’s text in the scene with the anchorites! Formally, too, it is something quite novel – can you imagine a symphony that is, from beginning to end, sung? Hitherto I have always used words and voices simply in an explanatory way, as a short cut to creating a certain atmosphere and to express something which, purely symphonically, could only be expressed at great length, with the terseness and precision only possible by using words. Here, on the other hand, voices are also used as instruments: the first movement is strictly symphonic in form but all of it is sung. Strange, in fact, that this has never occurred to any other composer – it really is Columbus’ egg, a ‘pure’ symphony in which the most beautiful instrument in the world is given its true place – and not simply as one sonority among others, for in my symphony the human voice is after all the bearer of the whole poetic idea.”