January 18 – What’s in a Name

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Erik Satie: Limp Preludes for a Dog
Standard titles for pieces in classical music are pretty boring, aren’t they? Suite No. 4. Symphony No. 1. Concerto in A. But there are some very notable exceptions. There’s nothing stale, for example, about “Unappetizing Chorale,” “She Who Talks Too Much,” and “Agreeable Despair.” It’s easy to imagine the avant garde, Belle Époque French composer Erik Satie was the man to come up with such odd names! Listen to one of his odder-titled pieces, “Limp Preludes for a Dog,” here.

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